Over the Edge…

December 2, 2011

I was riding in this minivan with a group of people I didn’t know that well. I mean, I actually didn’t know them at all, but there was a certain kindred spirit I had with them that made it feel like they were lifelong friends. The man who was driving was speeding down this narrow, winding, mountain road; so fast that even I, usually unphased by a bit of speed, began to sit on the edge of my seat and look out the window ahead. Everyone was quiet.

We came upon a curve too fast for the driver to take so he decided to just keep straight, wanting to cut through the patch of grass that sat in between and connected the two pieces of street. The only problem was, the grass did not extend all the way across. But we didn’t even realize it until the minivan’s nose was pointing down, and we were falling off a cliff…at a rapid pace, I might add. My stomach left my body, through my head. Everyone panicked and began to scream, but strangely, I felt pretty calm.

I remember thinking, “We’re going to die.” But it wasn’t a frantic thought; just kind of a surrendered one. I spoke up, “We’re going to die,” stating the obvious as we plummeted towards the earth below. We fell and fell and fell and fell. And then, almost uncontrollably, I yelled out something pretty unexpected. I looked around the minivan and I shouted, “I love you guys!” And even though I didn’t know the people all that well (if at all), at that moment, I felt and meant it in every bone of my body. Everyone looked at me in shock, and with loving, peaceful eyes. They all became completely quiet, right as we smashed into the ground.

The minivan made a loud bang as it hit the hard soil, rolled, and stopped upside down. We all sat in silence for a few minutes, as the vehicle tottered gently. We looked around at each other, taking in the damage. Surprisingly, not one single person was injured or even scratched in the least bit. We all climbed out, and everyone looked at me with a “that awkward moment when you confess your love to all of us as we’re falling off a cliff to our doom” look. I shrugged. And then we started trying to figure out what to do from there.

This of course was a dream. And a strange one at that.

 


I’ve been missing you…

November 17, 2011

I knew the Astronomical Kid was destined for stardom way before X Factor. What I liked most about the young passionate MC was that he represents a type of hiphop that you rarely see these days, at least amongst young people. And when I heard he was going to be on X Factor I wasn’t sure how he would fare, not because he lacked talent or x factor (because he has both to spare), but because these types of competitions are dominated by singers, and no rapper has ever made it very far.

However, week after week Astro has proven that he is not only a strong contender, but he is one of the favorites, by far. Amazingly to me, he has  managed to do this without selling out and doing corny club tracks. He’s kept real to who he is and how he wants to represent hiphop, within the perimeter of the show’s box. He’s really made hiphop proud! This week was no different as he took things to a whole new level.

The guitar riff of The Police’s “Every Breath I Take” (also later redone by Puff Daddy as “I’ll Be Missing You”, a tribute to BIG) started, and Astro sat on mock-up Brooklyn stoop, modeled after the very type of New York City porch steps that held up the forefathers of hiphop, as they beat-boxed and rhymed their way into history. And then he jumped in,

“Uh! This is dedicated to her, the one and only girl that’s known all over the world. She’s forty years old but I still try and speak to her. We talk all the time and my heart beats through her. She messed with the wrong dudes and now she’s messed up. Started doing drugs and showing the kids that stuff…”

Before this point I thought Astro might have been talking about his mom, or a really old (forty-year-old to be exact) girlfriend. But when he mentioned the drug part I figured that’s not it, because he wouldn’t put that out there like that. Then I realized he’s not rapping about a girl, he’s rapping about hiphop, and I got chills. What followed was a beautiful ode to what hiphop was, a lament for what it has become, and an honest, raw love song in tribute to this “girl” he cares so much about.

He paid homage to Biggie with a couple of lines, mentioned how he met hiphop through The Sugarhill Gang, and painted a picture of the blinged out mess that hiphop has become. Then he passionately started rapping about how he wants to, “get her back to the old her,” and the beat started to build. Astro threw his hand in the air and said, “But good news for anybody missing her like I do, your boy’s bringing hiphop back!” I believe him! And if this is the direction hiphop is moving again, I couldn’t be happier. Keep doing your thing Astro! Bring that real hiphop back!

 


The Sage Old Man…

November 17, 2011

A sage old man searched the world over for a book that said all of the things he’d always wanted to hear, but he came up short. That book did not exist.

Unwilling to give up, the old man decided to write the book himself, and that he did. He spent years writing down all the things he’d always wanted to hear, and finally, with a sigh of relief, he proudly held the manuscript in his hands.

The old man searched far and wide for a publisher who was willing to publish his manuscript, but none seemed interested. He visited hundreds, if not thousands of publishing houses with not one single taker. And yet they all had different opinions and critiques.

“It’s too long.”

“It’s too short.”

“It’s too deep.”

“It’s too shallow.”

“It’s too based in fact.”

“It’s too fictional.”

Determined not to give in, the old man built a printing press, and printed thousands of copies of his beloved book. They rhythmically popped out one by one until the final book emerged. With a wide, delighted grin, he stood stared at the mountainous pile of books.

The old man began approaching book shops, trying to get his book on their shelves. Door to door, city to city, he had no luck. None seemed interested, not even in the least.

Committed to his cause, and now slightly obsessed, the old man went to the bank and took out all of his life savings. He built a book store from the ground up, and when the final coat of paint had dried, he filled the shelves with his books. He chuckled with satisfaction as he hung the “OPEN” sign in the door window.

He waited and waited, and no one came into his shop. Hours passed and, ever so slowly but surely, customers began to trickle in, but none went as far as purchasing the old man’s book. Some read, some paged through, others merely looked at the cover and put it back down, but none bought it. Not even one.

Days went by and turned to weeks, weeks into months, months into years, and the old man had failed to sell one single solitary book. With a final wave of resolve, the man walked over to a shelf, picked up his own book, and walked up to the counter. He took his very own money out of his very own pocket and bought his very own copy of his very own book.

That night when he got home, the old man built a toasty fire in the fireplace, poured a glass of his most expensive Scotch, put on his most comfortable pajamas, and sat in his favorite chair. He opened his book and began to read. Hours went by and the old man intently read the book without uttering the slightest peep, or making the smallest movement. Page by page, he plowed through.

When he came to the last page, and read the final line, the sage old man closed the book, sighed and said, “Well, I already knew that!” He laid the book on the coffee table, walked back to his room, climbed into his bed, and had the most peaceful night’s sleep he had ever experienced.


UNDUN – The Roots…

November 16, 2011

“Undun is the story of this kid who becomes criminal, but he wasn’t born criminal. He’s not the nouveau exotic primitive bug-eyed gunrunner like Tupac’s character Bishop in Juice… he’s actually thoughtful and is neither victim nor hero. Just some kid who begins to order his world in a way that makes the most sense to him at a given moment… At the end of the day… isn’t that what we all do?” – The Roots

In this era of big money-made, cookie cutter, commercial, plastic artists who just release a bunch of songs and call it an album, it is extremely refreshing to see a project like The Roots’ upcoming album UNDUN, breaking the monotony, and standing out. UNDUN is not just a collection of random tracks. No. It tells a track-by-track story, it has vision, it is conceptual, it is an album. I can’t wait for December 6th to come, but the album can be pre-ordered now (click on the album cover below).

Until the 6th, The Roots have given us a series of short films, to give us a taste of what’s to come. I must admit, I teared up watching the short film for “Make My” (Check the short films and “Make My” lyrics below). I’m thankful for groups like The Roots, representing real hiphop, giving us the music we want with the message we need.

Make My

(Big K.R.I.T.)

I did it all for the money, Lord
That’s what it seems
Well, in the world of night terrors it’s
Hard to dream, cash rules everything
Just call it cream,
Cause when it rises to the top, you get the finer things
Oceanfronts, rolling blunts with model chicks
And saying grace over lobster and steak
Like please forgive us for
Riding Benzes with camera plates
Too busy looking backwards for jackers to pump my brakes
For help sign to symbolize the lives that hunger takes
Addicted to the green, if I don’t ball I’ll get the shakes
I’d give it all for peace of mind, for Heaven’s sake
My heart’s so heavy that the ropes that hold my casket break
Cause everything that wasn’t for me I had to chase

(Hook)
They told me that the ends
Won’t justify the means
They told me at the end
Don’t justify the dreams
That I’ve had since a child
Maybe I’ll throw in the towel
Make my, make my…
Hardship from the world

(Black Thought)
Tryin’ to control the fits of panic
Unwritten and unraveled, it’s the dead man’s pedantic
Whatever, see it’s really just a matter of semantics
When everybody’s fresh out of collateral to damage
My splaying got me praying like a mantis
I begin to vanish
Feel the pull of the blank canvas
I’m contemplating
That special dedication
To whoever it concern,
My letter of resignation
Fading back to black, my dark coronation
The heat of the day, the long robe of muerte
That soul is in the atmosphere like airplay
If there’s a Heaven I can’t find
A stairway

(Hook)
They told me that the ends
Won’t justify the means
They told me at the end
Don’t justify the dreams
That I’ve had since a child
Maybe I’ll throw in the towel
Make my, make my…
Hardship from the world


Astro’s Moment…

November 10, 2011

I want a crisp, white t-shirt with this picture…

…and “Taking hiphop back!” written on it, because that’s what this kid’s doing! What a breath of fresh air in this lame rap generation. I just wish X Factor would hurry up and get over with so the Astronomical Kid can get out there and do his thing full-time. But I wish him all the best as he continues on in the competition, and keeps making hiphop proud.

Dude, everybody’s stopped looking at your mom now (no offense to her). All eyes on you!

That is all.


Grateful…

November 7, 2011

When I was a little kid I looked up to people in their thirties and thought they looked so old, and that they had everything together. I just assumed they knew everything, and understood how all this worked. By “all this” I mean life. Then I became a teenager, and thought I knew everything and adults knew nothing. I slowly progressed from there.

In my twenties I started realizing that I didn’t know as much as I thought I did, and even all the things I thought I knew so well were way more complex than I’d ever realized. It took most of my twenties for me to learn that things are not black and white, and there is rarely such a thing as a simple answer to a big life question.

These days, I look down at the little kids looking up at me assuming I have all the answers, but now I have the insider’s view. How surreal. How crazy. How freaky. And as weird as it feels, I realize all the adults I looked up to probably felt the exact same way I do now. ”I don’t know anything, kid. But definitely more than you. So what does that say about us?”

I turned 31 today. Though I’m still working out the kinks of this season of life, and still not exactly happy with where I am, I am happy to have lived these 31 years. I am grateful for the experiences I’ve had so far. In some ways I feel like a cat on my fifth or sixth life. I’m ready for the next one.

I’ve been through some pretty amazing stuff. I’ve also seen my fair share of heartache; all par for the course. Good and bad, I don’t think I’d trade any of the moments in life for anything else, because I realize those moments are the things that are used to make me. And even when some of those moments don’t make sense at a certain point, I know they will all come together at some point and I will be like, “Ah! THAT‘s why!” and I’m cool with that.

All this to say, I’m grateful to be here, and I’m thankful for all the people who have played a role, no matter how “big” or “small”, in helping form, shape, mould, and panel beat me into the version of me I am today. I’m looking forward to seeing what’s next, and I’m excited to be in it with all of you. And by “it” I mean life. Thanks!


Retribution: Giving Life Where It Was Taken.

October 13, 2011

I woke up this morning with a heavy heart. I couldn’t put my finger on why. Was it the rain? Had I dreamt something disturbing? Was it the full moon? Was it just “one of those days”? It took a few minutes, and some coffee, before I realized today is Clinton‘s birthday. He would have turned 18, had his life not been taken in May of this year. I miss him so, so much.

I’ve done a lot of wrestling within my heart, mind, and soul about Clinton’s death. I’ve tortured myself with the “what ifs” and the “if onlys”. I’ve wished for a time machine to go back and change things. None of that helps, but I guess it’s part of grieving. The untimely death of a young person is never easy, especially when that person’s life is taken by another angry, confused young person. God knows I saw my fair share of those in my ten years of living in Cape Town. It never becomes easier to see.

It’s convenient to direct our anger towards the young, emotional girl who stabbed Clinton in an act of rage, especially knowing that she is currently serving no time for the murder. I think it’s human nature to crave vengeance, to want retribution. We want people to feel what we feel, lose like we have lost. In my most emotional moments, when it comes to those who I care the most about, I might succumb to the quick fix of thinking I desire retaliation, but my logic usually comes to my rescue and tells me otherwise. I realize (at least in this situation) the problem is systemic, and even the young girl who took Clinton’s life is a victim herself.

Don’t get me wrong! I’m not letting her off the hook. I never believe killing is justified, ever! I definitely believe people should be held accountable for their actions, and taking someone else’s life is a colossal deal. But knowing the complexity surrounding the youth growing up in the communities of Cape Town, it is important for me to remember where to direct my anger. The lack of support structures, the drug and alcohol use, the prevalence of abuse and violence, the mistreatment of women and children, gangsterism, unemployment, poverty, lack of social services, a failing education system…all of these things, and more, creating a big, bad, ugly monster called “the system”, holding our children hostage, and raising them.

It is therefore immature of me to be angry at a young girl who grew up in an environment, governed by this corrupt “system”, where violence is the answer to many problems. It is human to seek retaliation, but not fair. The warped part of me, telling me that, “Clinton would want me to want vengeance,” is a voice that comes out of ten years of living within that very system, and a depraved part of myself. At times, even Clinton himself succumbed to pressures of the system he found himself in, but for the most part he was a loving, tender, caring, kind-hearted, wonderful young man, who brought life, love and laughter to those given the pleasure of knowing him.

So, when I meditate on his life and death, and what it might mean to truly honor him today, I can’t help but think the most productive form of retribution is not to allow emotion to take control, and wish ill-harm on anyone else. Misdirected anger or sadness won’t bring back lost lives, and will only contribute to more. The most life-bringing memorial we can have for Clinton, and others like him whose lives have been taken, is to direct our vengeance towards the corrupt system that surrounded them; use the emotion we feel, whether it be heartbreak or anger, as fuel for positive action in battling the system itself, seeking change. Positive retribution is not taking another life, or wishing harm to the one who took it, but rather giving life where it was taken.

Though I’m thousands of miles from Cape Town, and feel even further, I choose to honor Clinton on his birthday today, with positive, hopeful, life-giving thoughts and wishes to the millions of children living in the cracks of the corrupt system of Cape Town, and similar communities throughout the world. We cannot bring back those already lost, but we can put our effort and energy into protecting the young people who are currently living within the system. We can give life where it was taken, offer hope and restoration where there is devastation. I think Clinton would want that.


Inspiration. Breathing.

October 10, 2011

I’ve been thinking about the concept of “inspiration” a lot lately. The other day I looked up the definition, out of curiosity, and I was pleasantly surprised at the second definition of the word.

Inspiration (noun):  1) the process of being mentally stimulated to do or feel something, esp. to do something creative. 2) the drawing in of breath; inhalation.

I had never known the word inspiration could also mean to take in breath, or to breathe. This was exciting to me on several levels. For one, I love the fact that many older languages have words with deep, multiple meanings. English, being a very young language, often lacks this maturity, but in this case it came through for me. Beyond that, I just think it is extremely fitting that inspiration can mean the process of being mentally stimulated and the drawing in of breath. This makes perfect sense to me.

I have experienced how inspiration literally comes as a breath of fresh air, especially in times when the metaphorical “air” around me is stuffy, and polluted. Likewise, I have also seen how people living in ways where they do not seek out inspiration in any way, shape or form begin to die a slow death, like someone being suffocated or strangled; working that nine-to-five that they hate, in order to put food on the table for their unhappy family, convinced that that is what life is about. They are uninspired. They are not breathing.

I think we often see inspiration as a side-benefit to life, or an extra added bonus, but when thinking of it in this way, it is way more important than that. Inspiration is vital. In the same way a person cannot live without breath, someone cannot live without inspiration. The death is different, as the person remains physically alive, but they are dead on the inside; more like zombies, the walking dead. Believe me, there are times when I have felt this way, in a stuffy, oppressive season of life where I felt like I was under water with cement boots on. But when I remembered to fight, and come up to take that breath of metaphorical fresh air, I felt completely rejuvenated again. I felt alive again.

This has reminded me that inspiration is as important as breathing. And though I may not have to consciously remember how to breathe, there are times when I need to be more intentional about taking in that metaphorical breath, my inspiration. I need not forget to take in breath. I need not forget to the importance of inspiration.


Astronomical Kid’s Got That X Factor!

September 30, 2011

Alright, I told you way back in February, and then again in June, that the young rapper Brian Bradley aka the Astronomical Kid is a force to be reckoned with! He’s got the lyrical skills beyond his years, a good message, style, passion, swag (as the kids would say), and definitely some X Factor to spare. And all of this was validated again tonight on the show, appropriately named, yes, that’s right the X Factor.

For those of you who are not familiar with it, The X Factor is a show, created by Simon Cowell, where he and three other judges (L.A. Reid, Paula Abdul, and Nicole Scherzinger) are not just looking for the next “good voice” or plastic pop star. They are looking for someone who has that special something that goes beyond a great voice, nice moves, and good looks. They are looking for a stand out artist who has, that thing people often have trouble describing, the X Factor. And for the highest reality television prize ever, the winner will be awarded a $5 million record deal.

Tonight was the fourth episode, and the last of the audition phase. I had seen a quick shot of Astro on the very first commercial, where he looked slightly timid; not his normal M.O. I watched for him last week and though he wasn’t on, he was on the commercial for this week, where he seemingly lashed out at Simon saying, “What’s your problem, son?!” My excitement for him turned into nervousness. Then, earlier this week, I saw a clip of Simon on the Jimmy Kimmel show where he was speaking about the “most obnoxious person” ever to be on the show, which he said was Brian (Astro). But in the same breath he said that he’s “destined for greatness”. I was not sure what to expect for tonight’s show.

Alas, when the show came on tonight I did not have to wait in suspense, because Astro was the very first artist up. He spoke confidently and maturely in his preliminary interview, and then took the stage, immediately greeting the crowd like a pro. He seemed cool and calm as the judges asked him various questions. They seemed to really like him. Simon leaned over to L.A. Reid (responsible for artists’ careers such as Justin Bieber, Usher, Rihanna, etc.) and began saying Astro was like a younger version of him, when suddenly, the kid lost it. “What’s your problem, man?!” Simon looked completely shocked, and was literally speechless. My stomach dropped, as Astro continued with his seemingly unprovoked attack on Simon.

And then, he called for the sound man to “drop the beat”, as Simon sat there like a deer caught in headlights. The beat started immediately.

As the music began to play, and Astro entered into an attention demanding performance of his Youtube hit song, “Stop Lookin’ At My Mom,” I realized his little tiff with Simon was just a genius, yet risky, intro to his song, pretending as though Simon had been making eyes at his beloved mother. The Astronomical Kid gave a strong performance, winning over the crowd, and the judges. As the song went on, I saw Simon’s scowl melt, and he realized what was going on. In the end, Astro won over the praises and the votes of all four judges, putting him through to the next round.

The question is not whether or not Astro has the X Factor, because it’s plain to see he’s got it. It’s just a matter of waiting to see if the judges continue to recognize it and keep him in the competition long enough for him to win, in this type of show that usually does not favor hiphop artists as much as singers. Whatever happens from here on out, The Astronomical Kid has represented hiphop and made it proud, not to mention making himself known as a fierce competitor on the X Factor! Make sure to tune in next week and support this young, talented Astronomical Kid.


Explaining Dippin’ Dots…

September 19, 2011

I was swimming in, what seemed to be, the Amazon River. The water was deep and an eerie dark green. Below me swam a school of gar. I became a little frantic, wondering if they were going to bite me. Paying more attention to the gar below me, and not to my surroundings, I didn’t notice a little boy who swam up to me. His “hi” startled me.

I looked up and saw a dark skinned boy (probably about 8-years-old), with jet black hair, and nothing but some sort of a loin cloth on, swimming beside me, smiling widely. I said hi back and smiled. The boy tried to speak to me in a language I didn’t understand. I tried to speak to him in English, but he also did not understand. I got the impression he could speak and understand a few words in English, but I didn’t even know what language he was speaking, much speak or understand it. We continued swimming down the river, occasionally looking at one another to smile.

After about ten minutes of silent swimming, the boy broke the silence and asked, “What are Dippin’ Dots?” I was shocked at his sudden English sentence, and even more so that he had somehow heard of Dippin’ Dots. I chuckled and asked him how he knew what Dippin’ Dots are. He shrugged and said he didn’t, with a “that’s why I’m asking you, dummy” look on his face. I told him, “It’s a type of ice cream, in tiny little pellets.”

He looked confused. I asked, “Do you know what ice cream is?” He said no. I thought for a moment. I asked, “Do you know what ice is?” He said no. I was perplexed at how I could explain Dippin’ Dots without the reference of ice cream or even ice. I asked him if he knew what cold was and he nodded yes and said, “Like the rain!” I knew that the rain in the Amazon was far from as cold as ice or snow or Dippin’ Dots, but realized that rain was the closest reference he had to cold, so I agreed.

“Yes, like the rain. Imagine each raindrop painted a different color and tasting like your favorite flavor.” He smiled. At that point I wasn’t sure if he was ready for the conversation to be over, or if he really understood me. We swam on. Eventually we came to a point where we got out on the river bank and spotted an old abandoned house. We curiously walked up to it and opened the front door.

The door creaked open. At our feet, right in front of the entry way, a stuffed lion’s head, that had apparently been hanging on the wall, was laying upside down on the ground. I couldn’t believe my eyes. The lion was struggling to breathe, and began growling at us. The little boy poked it with his foot and the lion lethargically snapped at him, almost biting his toe. I told him I don’t think we should mess with it. He, of course, didn’t understand me, and continued nudging the lion head with his big toe. Eventually the lion bit his foot, and did not let go. I’m not sure what happened from then on, but I know when I got back home, I got on the internet and ordered Dippin’ Dots online and mailed them to the boy. I’m sure they were more like a drink by the time they got to him.

This, of course, was a dream.


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